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Kid Komics #1-10 (Feb. 1943 - Mar. 1946) continued as Kid Movie Komics #11 (June 1946).
Alfred "Al" Avison (July 7, 1920 – December 1984) is an American comic book artist known for his work on the Marvel Comics characters Captain America and the Whizzer during the 1930-1940s, period known to fans and historians as the Golden Age of comic books.
The son of Connecticut artist and WPA muralist George Avison, Influenced by the work ofhis father and of commercial illustrator Albert Dorne, Al Avison studied art at Pratt Institute in Brooklyn. His first known comics work is co-inking Jack Kirby's lead story in Novelty Press' Blue Bolt Comics #4 (Sept. 1940).
For Marvel Comics' predecessor, Timely Comics, penciler Avison and an unknown writer, co-created super-speedster the Whizzer in U.S.A. Comics #1 (August 1941). The character would appear in most issues of that comic, and was part of Timely/Marvel's first superhero team, the All-Winners Squad.
After Captain America creators Jack Kirby and Joe Simon moved on following Captain America Comics #10 (Jan. 1942), Avison and Syd Shores became regular pencilers of the celebrated title, with one generally inking over the other. Avison had been the inker over penciler Kirby on Captain America Comics #4-6 (June-Sept. 1941), and had penciled or inked that character's stories in All Winners Comics as early as issue #3 (Winter 1941-42). Shores would take over as regular penciller, inked by Vince Alascia, while Avison did his World War II military service.
Avison also worked as a penciler or, more often, as inker on characters including The Vision (in Marvel Mystery Comics); the Blonde Phantom; The Young Allies (in Amazing Comics, Kid Komics and Mystic Comics); writer-editor Stan Lee's the Black Marvel (in All Winners Comics); and Tommy Tyme (in Mystic Comics). With Joe Simon, he was one of two inkers on the Kirby-drawn debut of Marvel Boy in Daring Mystery Comics #6 (Sept. 1940). Avison's Timely work appears as late as Captain America Comics #71 (March 1949).
Avison additionally worked on the original Captain Marvel for Fawcett Comics in 1941-42. He also freelanced for Harvey Comics both during and after his Timely stint, on such features as "The Red Blazer" (introducing him in Pocket Comics #1, Aug. 1941), "Casper the Friendly Ghost", "Captain Freedom" (including inking Jack Kirby's cover art on Speed Comics #16 & #18, Jan. & May 1942), "Joe Palooka", "The Green Hornet", "Humphrey", "Little Dot" and "Shock Gibson" (including the cover of Speed Comics #14, Dec. 1941), through at least the early 1950s.
Avison's last known work is penciling and inking the cover of Harvey's horror anthology Chamber of Chills #26 (Dec. 1954).
Albert "Al" Gabriele or possibly Alfred Gabriele (living status unknown) was an American comic book artist during the 1940s period fans and historians call the Golden Age of comic books. He is known for his work on some of Marvel Comics' earliest Captain America and Sub-Mariner stories, and for co-creating the company's superhero Miss America, as well as, possibly, the Whizzer.
His work is sometimes erroneously listed in some references as "Al Gabrielle", with two "L"s.
Writer and artist credits were not routinely given during the 1930s-1940s period fans and historians refer to as the Golden Age of comic books, making full bibliographies difficult for many of the medium's pioneering creators. Al Gabriele's first confirmed credit is as one of three inkers over penciler and future industry legend Jack Kirby on the lead story in Blue Bolt Comics #4 (Sept. 1940), from the publisher Novelty Press. Gabriele would continue to work on that character while also freelancing for Fiction House, Harvey Comics (for which drew the debut of the female superhero the Black Cat, in Pocket Comics #1, Aug. 1941), Prize Comics, and most notably Timely Comics, the 1930s-1940s predecessor of Marvel Comics. There Gabriele helped provide art for the hit characters Captain America and the Sub-Mariner, as well as for the popular second-tier characters the Angel and the Destroyer.
Gabriele's first confirmed work for Timely was both penciling and inking the "Mantor the Magician" feature in The Human Torch #2 (Fall 1940).
Circa 1941-1942, Gabriele freelanced through the Jerry Iger Studio.
Gabriele's other early work, some of it reprinted in the 1960s Silver Age of comic books and in the modern era, includes penciling and inking the debut of the Black Marvel, an early creation of future Marvel editor Stan Lee, in Mystic Comics #5 (March 1941); inking the caveboy character Tuk in Captain America Comics #2 (April 1941); inking another the early Stan Lee character, Father Time, in Captain America Comics #6 (Sept. 1941); co-penciling (with Alex Schomburg) the 40-page lead story in Sub-Mariner Comics #3 (Fall 1941); and inking character-creator Bill Everett in Sub-Mariner Comics #4 (Winter 1941).
On Captain America, Gabriele inked pencil art by co-creator and future industry legend Jack Kirby on some stories in Captain America Comics #3-4 (May–June 1941) and All Winners Comics #1 (Summer 1941), and on the cover and in all three of the hero's stories in Captain America Comics #8 (Nov. 1941). He would continue contributing to that series and to Sub-Mariner Comics through 1949 and the ends of their respective runs.
Gabriele and fellow artist Al Avison, plus an unknown writer, crafted the debut of Timely's super-speedster the Whizzer in USA Comics #1 (Aug. 1941), though precise creator credits for the character are difficult to confirm. The Whizzer would go to appear in most issues of USA Comics and was part of Timely/Marvel's first superhero team, the All-Winners Squad. The character returned, much older, in 1970s Marvel Comics stories, as well as in flashback stories set during World War II.
With writer Otto Binder, penciler-inker Gabriele created the superheroine Miss America in Marvel Mystery Comics #49 (Nov. 1943). Throughout the decade, Gabriele provided art as well to Timely's Blonde Phantom Comics, Comedy Comics, Kid Comics, and Young Allies Comics.
He worked as well for Quality Comics, penciling and inking covers and stories both of the spirit-of-America character Uncle Sam in National Comics and Uncle Sam Quarterly. Gabriele also penciled and inked the character Yankee Eagle in Quality's Smash Comics.
Gabriele's last confirmed comics work is inking the eight-page Captain America story "The Man Who Wouldn't Give Up", penciled by Carl Burgos in Marvel Mystery Comics #92 (June 1949), the final issue of that title. The Grand Comics Database also lists a tentative Gabriele credit as the cover artist of the following month's Captain America Comics #73 (July 1949).
From Wikipedia, the free encyclopedia.