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Red Warrior #1-6 (Jan.1951 - Dec. 1951).
Charles Eber "Chic" Stone (January 4, 1923, New York City, United States – July 28, 2000, Prattville, Alabama) was an American comic book artist best known as one of Jack Kirby's Silver Age inkers, including on a landmark run of Fantastic Four.
Raised on East 23rd Street and Third Avenue in Manhattan, New York City, New York, Chic Stone studied at the School of Industrial Art (later renamed the High School of Art and Design), and the Works Projects Administration School, the latter under cartoonist Chuck Thorndyke. He broke into comics in 1939, at age 16, apprenticing with the comic-book packager Eisner & Iger. In the 1940s, he worked on the original Captain Marvel for Fawcett Comics and Boy Comics for Lev Gleason Publications. For Timely Comics, the 1940s predecessor of Marvel Comics, he contributed to Blonde Phantom Comics, "Eustis Hayseed" in Joker Comics; and "Jeep Jones" in All Select Comics and Kid Komics. He embellished the pencils of many great artists , such as Mike Sekowsky, Gene Colan, and Carl Burgos.
Stone largely left comics during the 1950s to become an art director for magazines including True Experience and The American Salesman, and to publish a magazine, Boy Illustrated, which folded after two issues. He did commercial art for Grey Advertising and TV commercial storyboards for Filmack Studios. Stone, at this time living in Hollywood, California, then became art director of Modern Teen and Dig Magazine. He returned to comic books during the 1960s Silver Age, initially with the small American Comics Group (ACG) on titles including Adventures into the Unknown, for which he would pencil from 1962-1967. He also variously penciled and inked, uncredited, for DC Comics, and occasionally ghosted for artists Bob Kane (on Batman stories) and George Papp (inking his Superboy pencils).
Shortly thereafter, Stone began inking industry legend Jack Kirby's pencils on Fantastic Four (issues #28-38, Annual #2). He also inked Kirby on early issues of X-Men and the feature "The Mighty Thor" in Journey into Mystery, and the two artists collaborated on covers across the spectrum of Marvel's comics.
Of his pairing with Kirby, Stone recalled in a 1997 interview,
Just before 1964 I was pounding the pavement, going from one publisher to another, picking up jobs at random. At the time I was penciling Batman, and inking Superman covers for [editor] Mort Weisinger at DC. I happened to walk into the Marvel offices at the time [editor-in-chief] Stan Lee was editing a Kirby pencil job. Looking over his shoulder I was totally awestruck by the magnificent penciling. Stan looked at me and asked, 'Chic, would you like to ink this?' My knees turned to Jell-o; all I could murmur was, 'You're kidding?' ... [After I turned in the assignment,] Stan was exceedingly pleased with my rendition of Jack's work, and from that time on I would finish one job to have another waiting. There were times I'd be working on three stories at once; working 12 to 16 hours a day was not unusual. The page rate for inking was not that great, but being able to work on Jack's pencils was a substantial bonus.
Later in the decade, Stone returned to freelancing for DC Comics, penciling an occasional Batman story — including the lead tale in the anniversary issue Batman #200 (March 1968). He additionally pencilled numerous stories for Tower Comics' T.H.U.N.D.E.R. Agents, Dynamo and NoMAN.
Other work around this time includes a run of the character Nemesis in ACG's Forbidden Worlds and Unknown Worlds; Dell Comics' Flying Saucers, and a Garrison's Gorillas TV tie-in comic; and early-1970s work for Skywald Publications' black-and-white horror magazines Psycho and Nightmare. Stone's art for an AMT model car-kit ad ("Grandpa Munster 'Digs' The Drag-U-La!") appeared in DC's The Atom #24 (May 1966), Superman's Girl Friend, Lois Lane #64 (April 1966), and elsewhere.
In the late 1970s and 1980s, Stone began a long association with Archie Comics, including its "Red Circle" and "Archie Adventure Series" superhero lines. This lesser-known work includes a story written by future Marvel editor-in-chief Tom DeFalco in Archie's Super Hero Special #2 (August 1979), and Stone's inking fellow Silver Age veteran Dick Ayers on a Black Hood story in Blue Ribbon Comics #11 (August 1984). Stone also worked on the regular Archie teen-humor line.
Stone was inking for Marvel as late as The A-Team #1 (March 1984). In the early 1990s, he drew commissioned art in Silver Age Kirby-Stone style for sales through dealers.
From Wikipedia, the free encyclopedia.